This summer the Portland Museum of Art will present Maine Sublime: Frederic Edwin Church’s Landscapes of Mount Desert and Mount Katahdin,
an exhibition exploring the half-century during which the famed
American landscape painter, traveled to and was inspired by the
landscapes of Maine. The exhibition, on view June 30 through September
30, 2012, is drawn from the permanent collection at Olana, the home that
Church built for himself in upstate New York. The exhibition includes
25 of Church’s small oil and pencil sketches, highlighting Maine’s two
most majestic natural landmarks and many will be on public view for the
first time.
Nineteenth-century landscape painter Frederic Edwin Church first traveled to Maine in 1850 inspired by the portfolio of drawings his teacher Thomas Cole, founder of the Hudson River School, and by Andreas Achenbach’s dramatic sea painting Clearing Up–Coast of Sicily exhibited in 1849 in New York City. The artist spent six weeks on Mount Desert exploring the coast, its rocky islands, and peaceful harbors. He sketched the scenery which he described as “magnificent both land and seaward.” In 1852 he trekked inland focusing on the area of Mount Katahdin. During the next decades, Church continued to visit Maine capturing sensational sunsets, robust crashing waves, impressive peaks, and an abundance of wilderness.
Throughout his life, Church continued to visit Maine, sketching, fishing, and hiking. The Katahdin region so intrigued Church that in 1878 he bought land on the lake, the only other property he ever owned besides Olana. The Maine material in the Olana collection ranges from finished oil sketches that Church selected to mount, frame, and display at Olana to pencil sketches and cartoons that he stored in personal portfolios.
The exhibition is organized by the Olana Partnership, Hudson, NY, and New York State Office of Parks, Recreation and Historic Preservation, Albany, NY, and curated by John Wilmerding, Sarofim Professor Emeritus of American Art and Chair of the Department of Art and Archeology at Princeton University. Wilmerding is currently chairman of the board of the National Gallery and a trustee of the Guggenheim Museum, the new Crystal Bridges Museum of American Art, and the Wyeth Foundation for American Art.
Maine Sublime is accompanied by a catalogue co-published by Cornell University Press and The Olana Partnership under the “Olana Collection” imprint and will illustrate additional paintings from museum’s and private collections. Poet, translator, art critic, editor, and curator Vincent Katz penned the introduction and the exhibition’s curator, John Wilmerding, wrote the catalogue essay. The exhibition catalogue will be available in the Museum Store this summer.
The exhibition tour schedule: Museum of Fine Arts, Houston in Houston, TX (February through May 2013) and Evelyn and Maurice Sharp Gallery at Olana, in Hudson, NY (July through October 2013).
This exhibition was organized by The Olana Partnership, Hudson, NY, and New York State Office of Parks, Recreation and Historic Preservation, Albany, NY. Corporate sponsorship provided by MEMIC.
Visit www.portlandmuseumofart.org
Nineteenth-century landscape painter Frederic Edwin Church first traveled to Maine in 1850 inspired by the portfolio of drawings his teacher Thomas Cole, founder of the Hudson River School, and by Andreas Achenbach’s dramatic sea painting Clearing Up–Coast of Sicily exhibited in 1849 in New York City. The artist spent six weeks on Mount Desert exploring the coast, its rocky islands, and peaceful harbors. He sketched the scenery which he described as “magnificent both land and seaward.” In 1852 he trekked inland focusing on the area of Mount Katahdin. During the next decades, Church continued to visit Maine capturing sensational sunsets, robust crashing waves, impressive peaks, and an abundance of wilderness.
Throughout his life, Church continued to visit Maine, sketching, fishing, and hiking. The Katahdin region so intrigued Church that in 1878 he bought land on the lake, the only other property he ever owned besides Olana. The Maine material in the Olana collection ranges from finished oil sketches that Church selected to mount, frame, and display at Olana to pencil sketches and cartoons that he stored in personal portfolios.
The exhibition is organized by the Olana Partnership, Hudson, NY, and New York State Office of Parks, Recreation and Historic Preservation, Albany, NY, and curated by John Wilmerding, Sarofim Professor Emeritus of American Art and Chair of the Department of Art and Archeology at Princeton University. Wilmerding is currently chairman of the board of the National Gallery and a trustee of the Guggenheim Museum, the new Crystal Bridges Museum of American Art, and the Wyeth Foundation for American Art.
Maine Sublime is accompanied by a catalogue co-published by Cornell University Press and The Olana Partnership under the “Olana Collection” imprint and will illustrate additional paintings from museum’s and private collections. Poet, translator, art critic, editor, and curator Vincent Katz penned the introduction and the exhibition’s curator, John Wilmerding, wrote the catalogue essay. The exhibition catalogue will be available in the Museum Store this summer.
The exhibition tour schedule: Museum of Fine Arts, Houston in Houston, TX (February through May 2013) and Evelyn and Maurice Sharp Gallery at Olana, in Hudson, NY (July through October 2013).
This exhibition was organized by The Olana Partnership, Hudson, NY, and New York State Office of Parks, Recreation and Historic Preservation, Albany, NY. Corporate sponsorship provided by MEMIC.
Visit www.portlandmuseumofart.org
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